All posts by Kier

Get Inspired – Everyday Hope

Wake up this week to a warm new day.

Everyday Hope
[singlepic id=125 w=600]Everyday Hope, Sharan STD-35, Fuji Sensia, ©Andrius Sidlauskas 2015[/singlepic]

Andrius Šidlauskas created this warm morning bedroom scene with expired Sensia that was cross processed after being shot through his Sharan STD-35. This is a wonderful example of how some of the most amazing photos can be found right at hand.

More of Andrius’s work can be found on Flickr.

 

Get Inspired – 1961 VW Bug

Today we feature pinhole’s take on an iconic car.

1961 VW Bug
[singlepic id=124 w=600]1961 VW Bug, Zero Image, Kodak Ektar, ©John Thomas 2015[/singlepic]

John Thomas produced this pleasing capture from the interior of a 1961 VW Bug using his Zero Image pinhole camera loaded with Kodak Ektar. It’s a combination that seems meant to be – the notorious palette of Ektar, soft focus of pinhole, and vintage perfection of the Bug – I wouldn’t want this any other way!

You can find more of John’s work on Flickr.

 

Get Inspired – Steam Locomotive

This pinhole photo arrives with the force and grit of the Industrial Revolution.

Steam Locomotive
[singlepic id=123 w=600]Steam Locomotive, Homemade camera, Ilford HP5+, ©Anatoly Tankov 2015[/singlepic]

Anatoly Tankov captured this powerful scene in the Siberian region of Russia with his homemade pinhole camera loaded with Ilford HP5+. The low angle and sweeping clouds do well to compliment the imposing nature of the steam engine. Well done!

More of Anatoly’s work can be found on Flickr.

 

Luca Baldassari: A Pinhole Camera in the North Cape

Editor’s Note: All images in this article are ©Luca Baldassari 2015

[singlepic id=106 w=150 float=right][/singlepic]For this week’s artist feature we’re pleased to take a bicycle trip with Luca Baldassari to the North Cape region of Norway. He was was able to fundraise on indiegogo to pay his travel expenses. Luca made this trek in 2014 on his trusty Surly Ogre bike loaded down with panniers. His camera for the trip was his homemade camera that he’s dubbed the “baldaV” – a worthy 4×5 that he kept loaded with Fuji FP100. The FP100 was, in our humble view, the perfect film for this landscape, as it oozes with blues and greens, especially when exposed through a pinhole.

Luca lost his father in December 2013, and the trip was a tribute as his father had wanted to go to North Cape.

“I feel lost and [know that] I’d lost something and someone forever. I feel that now I have to face travel [held off] for a long time because of fear. I made [the trip to] rediscover who I am and [who] I lost, [knowing] it’ll never be like before. ​I’m leaving with the bike and pinhole with the hope and consciousness​ that they’ll help me to restore, redefine who I am. [I headed in the direction] to North Cape for my first bike travel following EuroVelo 7’s route, from Stoccolma, 2600km. 48 days on my own but with the support of all those who believed in my project.”

 

[singlepic id=110 w=150 float=left][/singlepic]Luca found the following passage from CSI’s song, “In Viaggio” particularly moving:
“Viaggiano i viandanti viaggiano i perdenti più adatti ai mutamenti
viaggia Sua Santità
Viaggiano ansie nuove Sempre nuove…
Cadono di vertigine…”

 

 

 

So without further adieu, Luca Baldassari: A Pinhole Camera in the North Cape

[singlepic id=117 w=500]Norway Sea and Clouds, ©Luca Baldassari 2015[/singlepic]

 

[singlepic id=116 w=500]Norway Nordkapp 1, ©Luca Baldassari 2015[/singlepic]

 

[singlepic id=115 w=500]Norway Knivskjellodden 1, ©Luca Baldassari 2015[/singlepic]

 

[singlepic id=114 w=500]Norway E69 Nordmannset 2, ©Luca Baldassari 2015[/singlepic]

 

[singlepic id=113 w=500]Norway E69 Honningsvåg Skipsfjorden 2, ©Luca Baldassari 2015[/singlepic]

 

[singlepic id=112 w=500]Norway E69 Honningsvåg Risfjorden 1, ©Luca Baldassari 2015[/singlepic]

 

[singlepic id=111 w=500]Finland SS93 Lake Sotkajärvi 4, ©Luca Baldassari 2015[/singlepic]

 

[singlepic id=118 w=500]Svezia E10 Puoltikasjärvi Lake 2, ©Luca Baldassari 2015[/singlepic]

 

[singlepic id=119 w=500]Svezia Uttersjöbäcken Lake 3, ©Luca Baldassari 2015[/singlepic]

 

 

Get Inspired – Blue Lake

I want to sit by the edge of this small lake all day…

Blue Lake
[singlepic id=122 w=600]Blue Lake, Zero 45 w/Graflex 23 back, Kodak Ektar, ©Moni Smith 2015[/singlepic]

Moni Smith made this wonderful capture at Blue Lake, Portland, Oregon – a city that surprises with so many quiet places of understated beauty such as this. She made this shot with her Zero Image 45 in the 25mm configuration and a Graflex 23 back loaded with Kodak Ektar 100. For a long time I’ve shot Fuji color, but something about the tonality of Ektar these days has got me rolling in that direction now.

More of Moni’s work can be found on Flickr, her personal blog, and her pinhole blog that she runs with some friends, Pinhole Obscura.

 

Get Inspired – Under the Trees

We welcome back Marko Umicevic for today’s contribution.

Under the Trees
[singlepic id=121 w=600]Under the Trees, Custom Panoramic Camera, Paper Negative, ©Marko Umicevic 2015[/singlepic]

If you’ve been following ƒ/D for some time now, you may recall Marko’s image, Wild Coast that we featured in April. Under the Trees was made using the same custom panoramic paper negative based camera. Marko shot this at the courtyard of the Student Center in Zagreb. At the right is the French Pavillon, dating from early 60s and nowadays is mostly used for exhibitions and site-specific sound installation.

You can find more of Marko’s wonderful images from in and around his native Croatia on Flickr and his ImageKind space.

 

Carrying Your Kit: The Getaround

One of the most difficult aspects of practicing photography, for many photographers at some point or another, is carrying all that damn gear. “Traditional” (e.g. lensed) photographers probably have it the worst, as anyone who’s lugged a few constant aperture zoom lenses or a full large format rig can attest. While we pinholers get a break by not having to carry glass, we still have our challenges getting our kit to the photo destination.

The best camera is the one you have with you,” as the saying goes. Indeed, nothing sucks like walking by the perfect shot without your trusty pinhole at the ready. Therefore, a key to this beloved hobby of ours is keeping a camera with you as often as possible. For many of us, that means commuting to/from work, joining friends on the evenings or weekends, shopping, parks, etc.

So for today’s article, I want to share my Getaround setup in the hopes of spreading ideas to help you shoot more. As always, if you see something that could be improved? Share it in the comments and help all of us out as well.

First – here’s a picture of my Getaround:
Pack

And here it is, “exploded”:
Pack exp view

 

Let’s go through it piece by piece.

Cameras

I always carry at least 2 cameras, sometimes 3 or 4. Why? First off, so that I can have a color and a black and white option. At a minimum, I want that. Pictured here are my Pinholga (converted by yours truly) and my Zero Image 6×9. I tape the current film label to the back of my cameras so that I can remember which is loaded with what. Not pictured here, but often in my pack, is my Zero Image 4×5. These 3 cameras give me 5 configurations: 6×6, 6×9, and 4×5 (25mm, 50mm, & 75mm focal lengths). On particularly ambitious days, I’ll add in my Polaroid. That’s a lot of options!

Packing

Notice that I don’t use a traditional camera backpack, and that’s entirely on purpose. I have two reasons for this. First, I wanted something that didn’t scream “cameras!” but was fully featured including a laptop sleeve. Second, the backpacker and urban market has a lot more options that have better suspensions than normal camera bags. Osprey is my brand of choice and for good reason – they are well renowned for their suspension. When I lived in Seattle, I could carry this bag, loaded with 25 pounds of camera and laptop gear, for hours and still be fine. That’s a damn good suspension system.

Inside my normal backpack I have a camera bag insert. This is basically a camera bag padding system that you can stuff into any backpack. They come in a handful of shapes and sizes and will keep your gear protected in your backpack. This was key to my feeling comfy with a non-padded backpack.

The backpack and camera bag insert are very key to my Getaround. By having something that I can take everywhere, I can easily have plenty of cameras with me at all times.

Tripods

Yes, I always carry two tripods with me. What you see here are my Slik mini tripod with ballhead and the infamous Gorillapod. Why these two? First, their weight is so minuscule, there’s hardly a penalty for carrying a second one. Second, while the Gorillapod is invaluable when you need to mount on something elevated like a fence rail, it’s a complete pain in the ass when you just want to be on a flat surface and level the camera. In addition, the Gorillapod isn’t quite as stable as a normal tripod, so it’s definitely reserved for those shots that cannot be done any other way.

Not shown here is my full size tripod, which I carry when I anticipate having the need for that much flexibility. See the loop on the bottom center of the backpack? That loop, plus a tie down, allow me to mount the tripod in the centerline of the backpack. This allows for a much easier carry to your shooting location, so when you get there you still have the wherewithal to compose your shot.

Various Sundry

A regular daypack is also superior for just carrying…stuff. We all have the normal needs for a photo trek, so having flexible room for it is a big payoff. Some additional photo related things I carry with me are a pocket level for my 4×5, extra film of course, and my trusty locking cable release.

What do you carry?

I wanna hear it in the comments!

 

Get Inspired – Chûn Quoit

It is fitting that these prehistoric ruins be photographed with the oldest of techniques.

Chûn Quoit
[singlepic id=120 w=600]Chun Quoit, Zero Image 4×5, Fuji Acros, ©Paul Hetherington 2015[/singlepic]

Paul Hetherington made this wonderful capture in Cornwall with his Zero Image 4×5. This is the only quoit in the area to keep it’s capstone in situ, and as such is quite the iconic burial structure.

More of Paul’s work can be found on Flickr.

Get Inspired – Dusk, Barjarg

Our friend from Down Under grabbed this wonderful scenic on a whim.

Dusk, Barjarg
[singlepic id=91 w=600]Dusk, Barjarg, ©Barry Kirsten 2015[/singlepic]

In this image, Barry shows us exactly why sometimes you need to just grab the camera and let it ride. In this example he grabbed the camera from the dining table, and pointed it towards the Samaria hills in the distance. The sun was setting and, rather than taking a detailed reading, he just set the camera on the deck railing guesstimated an exposure. We’re glad he did!

 

Get Inspired – Twilight Cycle – Diptych 2

Today we turn the notion of motion capture a bit on it’s head.

Twilight Cycle – Diptych 2
[singlepic id=90 w=600]Twilight Cycle – Diptych 2, ©James Guerin[/singlepic]

Often times in pinhole photography we see motion used to bring an inescapable sense of drama to an image. For this image, James chose to mount his pinhole camera to the very object in motion. The result, as I’m sure you’ll agree, is absolutely wonderful. Well done!

More of James’ work can be found on Flickr. Notably, James is the man behind the Reality So Subtle pinhole cameras – a brand that has gained quite a bit of notoriety (and has been used to great effect on some of the images featured on ƒ/D as well).